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I’m hard pressed to think about a scene that filled me with more joy than Jaime knighting Brienne, a tremendous payoff to two characters who have wrestled with the notion of “honor,” on systemic and personal levels. Everything that happened around the fireplace filled me with immense joy, from Tormund Giantsbane putting Luke Skywalker’s milk-drinking to shame through the Podrick song and everything in between.
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But I was happy to spend so much time with so many second-stringers, and I include Tyrion on that list the show hasn’t known what to do with Peter Dinklage since he crossed paths with Daenerys, but putting him in a series of drink-ups with new and old friends? That’s the sweet spot. Wigler: You know, I actually could have done with more! I found myself craving better scenes for Jon Snow and Daenerys, beyond them brooding over the consequences of the Targaryen reveal. And I really did love so many of the character interactions, but let’s be honest Josh, might you have still gotten the point with three or four fewer direct references to pending death and to the journeys that each character had to take to get to this point? It’s interesting how these exact same circumstances could have been played for urgency - THERE ARE FREAKING ZOMBIES COMING! - and instead the episode went for earnest reflection and, as with the first episode, I was able to excuse a pacing that invited dour melancholy because I loved so many of the individual interactions. With that said, looking at reactions online in the immediate aftermath of the episode, a lot of the folks who were critical of the season premiere’s relatively relaxed pace were much more in favor of “A Knight of the Seven Kingdoms.” How did it sit with you? And why do you think this episode may have worked well for people who were turned off by the premiere?ĭaniel Fienberg: It’s funny, because I spent a lot of the episode pondering whether I could have trimmed 15 minutes from the premiere and 10 minutes from this second episode to form one 85-minute premiere that might have achieved a combination of place-setting (since that’s mostly what the premiere was) and looming disaster (since that’s mostly what the second episode was) that might have been equally, or possibly more, satisfying with even more efficiency. Not a single death this week, which might be a first a rarity, at the least.
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Josh Wigler: We’re almost two full hours removed from Bran Stark’s declaration that inspired your “Winterfell” review: “We don’t have time for all this!” And yet, we’re now on the other side of yet another final season installment defined more by quiet character moments than the fire and blood many fans crave.
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'Game of Thrones' Final Season Podcast: Looking Ahead Toward the Winterfell War Read the first edition of Before the Storm here.
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Did the final season’s second episode all but guarantee death for Grey Worm (Jacob Anderson), for instance, due to his promise to protect Missandei (Nathalie Emmanuel) in the future? How worried should the audience be for Arya Stark (Maisie Williams) following her moment of intimacy with Gendry (Joe Dempsie)? Read on for their thoughts on those subject and more, as Wigler and Fienberg do their best to see what’s coming next in the much hyped battle episode. This week, Wigler and Fienberg take one last look back at “A Knight of the Seven Kingdoms,” written by Bryan Cogman, featuring some of the happiest and most peaceful moments in the HBO drama’s entire run - all before the doom and gloom of the coming Winterfell war.
Game of thrones season 8 episode 3 deaths tv#
Enter: Before the Storm, a weekly column wherein The Hollywood Reporter‘s Westeros guru Josh Wigler and THR‘s chief TV critic Daniel Fienberg put on their Valyrian foil hats and muse aloud about the next steps of the story. As Game of Thrones rushes toward the finish line, time is running out for predictions about how David Benioff and Dan Weiss’ fantasy epic will end.